words bubble up like soda pop

Today I wrapped up Annihilation by Jeff VanderMeer, a horror/sci-fi novel with fantastical (?) elements about a biologist exploring a very unsettling landscape.

There are no names given in this book—the narrator and protagonist is simply "the Biologist," and she refers to her other three teammates by their job titles as well. Locations outside of the place they're exploring—Area X—are not given either, but the world is implied to be much the same as our own, with Area X a troubling and relatively recent anomaly. A private company hires the Biologist and her colleagues to venture into this strange place and take notes. They are the 12th such expedition.

I appreciate that much of the horror in Annihilation isn't in-your-face: it's the slow build of things that are just off. This quiet and subtle approach means that when something extreme happens, it feels extreme. The Biologist and her colleagues know that Area X is dangerous before they venture in, but even so, they are unprepared for how and to what degree. VanderMeer's portrayal of how trust frays among relative strangers under these conditions felt realistic.

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Title: The Dispossessed
Author: Ursula K. Le Guin
Genre: Fantasy, speculative fiction

"There  was a wall. It did not look important. It was built of uncut rocks  roughly mortared. An adult could look right over it, and even a child  could climb it. Where it crossed the roadway, instead of having a gate  it degenerated into mere geometry, a line, the idea of a boundary. But  the idea was real. It was important. For seven generations there had  been nothing more important than that wall."

I knew this book was going to hit hard from the opening paragraph above, and it did not disappoint. I've enjoyed Ursula Le Guin's work before--The Left Hand of Darkness is one of my favorite books—and I absolutely see why The Dispossessed is considered one of her crowning pieces. The setting for this book is a planet and its moon—Urras, the planet, is a lush world not dissimilar from Earth, which is home to several capitalist countries and at least one socialist country; and Anarres, the moon, which is a dusty, resource-scanty place home to a society of anarchists who fled from Urras just under two hundred years ago. The core of the novel concerns Shevek, a theoretical physicist from Anarres who chooses to relocate to Urras.

Le Guin captures truly great sci-fi because this work is so imbued with curiosity. Le Guin is asking questions at the heart of any great sci-fi work: What defines humanity? What can we achieve, and how is it done, and what does that mean for society? What is society? What does it mean to be alone? What does it mean to be part of a whole? To me, sci-fi can't be truly sci-fi without a measure of philosophy, and The Dispossessed has this in droves.